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Mohan in the play Chocolate Krishna, 2015 | |
Born | 16 October 1952 |
---|---|
Died | 10 June 2019 (aged 66) |
Occupation | Actor Comedian Playwright Screenwriter |
Years active | 1976–2019 |
Family | Maadhu Balaji (brother) |
The drama will be webcast free on Saturday at 7 p.m. Fans of the late Crazy Mohan’s Chocolate Krishna are in for a treat on Saturday evening. They can watch the drama on YouTube, Facebook and on. Listen to top Tamil Drama songs on Gaana.com. Some of the popular songs from Tamil Drama genre are Hindi Tution, Meesai Aanalum Manaivi Part 1, 1000 Udhai Vaagiya Aboorva Sigamani Part - 01. The Tamil Drama genre consists of songs fabulously written and artistically composed by famous lyricists and composers.
Mohan Rangachari (16 October 1952 – 10 June 2019)[2] known professionally as Crazy Mohan, was an Indian actor, comedian, screenwriter and playwright.[3] An engineer by profession, Mohan started writing plays and established his own drama troupe called 'Crazy Creations' in 1979. In addition to dramas and tele-serials, Mohan worked as a dialogue writer on a number of comedy films. Mohan had written over 30 plays, worked on over 40 films, having cameo roles in each film, and written 100 short stories.[1] He died on 10 June 2019 due to a cardiac arrest.[4] The Tamil Nadu state government in the year 2004, awarded him with Kalaimamani title for excellence in the field of arts and literature.
Career[edit]
Mohan was a student at the College of Engineering, Guindy, where he graduated as a mechanical engineer in 1973.[5][1][6] His guide was his classmate S. Ravi, who was the President of Tamil Mandram. Before becoming a full-time writer, Mohan was working at Sundaram – Clayton Limited.[7]
At the College of Engineering, Guindy, in Feb 1972, he first wrote Great Bank Robbery, a skit for an intra class contest within the Guindy Engineering college for which he received the Best Writer award.[1][8][9] It was followed by scripts for his younger brother Maadhu Balaji's drama troupe at Ramakrishna Mission Vivekananda College, Chennai.[1] The first full-length play he wrote was Crazy Thieves in Paalavakkam for Natakapriya in 1976,[10] which was a runaway hit[11] and gave him the nom de plume 'Crazy' Mohan.[12][13] He also wrote scripts for Tenant Commandments and One More Exorcist.[10]
After writing for other productions, Mohan decided to start his own troupe and founded Crazy Creations in 1979.[10] The troupe has since created over 30 plays with original scripts and staged over 6,500 shows all over India and abroad.[14] His play Chocolate Krishna had been staged 500 times within three years.[15] His brother Maadhu Balaji, who is an actor, plays the hero in all his dramas.
The first feature film he worked on was K. Balachander's Poikkal Kudhirai for which he wrote the dialogues. The film itself was based on Mohan's drama Marriage made in Saloon.[11] He went on to write dialogues for several comedy films, particularly starring Kamal Haasan, which include Sathi Leelavathi, Kaathala Kaathala, Michael Madana Kama Rajan, Apoorva Sagodharargal, Indian, Avvai Shanmughi, Thenali, Panchathanthiram and Vasool Raja MBBS.[10][16] The 2006 film Jerry had a story and screenplay by Mohan and featured Mohan's entire theatre team, including its director S. B. Khanthan.[11] He has also acted in supporting or cameo roles in the films he wrote the dialogue or script for.
In 1989, he also began producing television comedy series. Serials he produced include Here is Crazy, Kalyanathukku Kalyanam with over 600 episodes and Vidathu Sirippu,[17] with the latter winning the Best Comedy Serial award from Mylapore Academy in 2005.[18] He also wrote 100 short stories.[1]
Mohan was also a distinguished artist who has sketched/painted nearly 60 aesthetic paintings, including portraits of spiritual leaders and eminent personalities, Raja Ravi Verma’s portraitures and portraits of Gods and Prophets.
Mohan penned at least one Venba every day—over 40,000 Venbas in his lifetime.
Awards[edit]
State awards[edit]
The Tamil Nadu state government in the year 2004, awarded him with Kalaimamani title for excellence in the field of arts and literature.
International awards[edit]
Professional excellence award[19] by The Governor of Maryland, USA, for his outstanding contributions to Tamil literature, fine arts, theatres for more than 38 years.
Philanthropy[edit]
Mohan was a donor and philanthropist for over 39 years. He contributed donations towards heart surgeries, kidney transplants from the proceeds from the sale of his drama tickets.
Donations to the Cancer Institute, Adyar run by Dr. V.Shantha, since 1999.
The proceeds from the sales of his book- 'Crazy about Ramana' are re-directed towards educating Indian cultural and values to poor children studying in Government schools.
Works[edit]
Theatre[edit]
Some of his popular Tamil dramas as a dialogue writer and actor are listed below.
- Maadhu +2[20]
- Jurassic Baby[20]
- Marriage Made in Saloon
- Meesai Aanaalum Manaivi[10]
- Alaavudeenum 100 Watts Bulbum[10]
- Crazy Kishkintha[21]
- Return of Crazy Thieves[21]
- Oru Babiyin Diary Kurippu[21]
- Kathalikka Maadhu Undu[21]
- Maadhu Mirandal[22]
- Madhil Mel Maadhu[23]
- Chocolate Krishna[24]
- Satellite Saamiyaar[25]
- Crazy Thieves in Paalavaakkam[20]
- Oru Sontha Veedu Vaadagai Veedagirathu
- Ayya Amma Ammamma[26]
- Google Gadothgajan[27]
- Crazy Premier League (CPL)
- Gummaala Gokulam (Upcoming Drama)[15]
- Veetai Maatri Katti Paar
Serials[edit]
- Aachi international (1997)
- Vidathu Sirippu (2004)
- Siri Siri Crazy (2007)
Film[edit]
- As a script and dialogue writer
- Poikkal Kudhirai (1983)
- Katha Nayagan (1988)
- Apoorva Sagodharargal (1989)
- Michael Madana Kama Rajan (1990)
- Unnai Solli Kutramillai (1990)
- Indran Chandran (1990)
- Chinna Mapillai (1993)
- Magalir Mattum (1994)
- Vietnam Colony (1994)
- Chinna Vathiyar (1995)
- Engirundho Vandhan (1995)
- Sathi Leelavathi (1995)
- Avvai Shanmughi (1996)
- Mr. Romeo (1996)
- Arunachalam (1997)
- Sishya (1997)
- Ratchagan (1997)
- Thedinen Vanthathu (1997)
- Aahaa..! (1997)
- Kaathala Kaathala (1998)
- Kannodu Kanbathellam (1999)
- Endrendrum Kadhal (1999)
- Poovellam Kettuppar (1999)
- Thenali (2000)
- Little John (2001)
- Panchathanthiram (2002)
- Pammal K. Sambandam (2002)
- Vasool Raja MBBS (2004)
- Idhaya Thirudan (2006)
- Jerry (2006)
- Kola Kolaya Mundhirika (2010)
- Manmadhan Ambu (2010)
- Naan Ee (2012)
- As an actor
- Janavari Onnu (1984)
- Apoorva Sagodharargal (1989) - Car customer
- Indrudu Chandrudu (1989) - Mental patient
- Michael Madhana Kamarajan (1990) - Grocery shop owner
- Jagadeka Veerudu Athiloka Sundari (1990; Telugu) - Kannada speaking tourist
- Thambi Pondatti (1992)
- Kalikaalam (1992)
- Magalir Mattum (1994) - First Doctor at Hospital
- Chinna Vathiyar (1995) - Doctor
- Indian (1996) - Parthasarathy
- Mr. Romeo (1996)
- Avvai Shanmughi (1996) - Interviewer
- Sishya (1997)
- Thedinen Vanthathu (1997) - Bank manager
- Arunachalam (1997)
- Kaathala Kaathala (1998) - Fraud Saamiyar (Anandha Vigadanandha)
- Arunachalam (1999) - Ayyasamy
- Kannodu Kanbathellam (1999)
- Endrendrum Kadhal (1999) - Astrologer
- Sigamani Ramamani (2001)
- Dosth (2001)
- Pammal K. Sambandam (2002) - ENT Specialist
- Panchathantiram (2002)
- Vasool Raja MBBS (2004) - Dr. Margabandhu
- Idhaya Thirudan (2005)
- Jerry (2006) - Rukku
- Kola Kolaya Mundhirika (2010) - Deaf Judge
- Naan Ee (2012) - Doctor
- Puthagam (2013) - Varadachari
- Kalyana Samayal Saadham (2013) - Dr. Kamlesh (final film role)
- Television plays[1]
- Here is Crazy
- Maadhu Cheenu
- Nil Gavani Crazy (Sun TV)
- Siri Gama Padhani
- Crazy Times (Vijay TV)
- Vidathu Sirippu (Jaya TV)
- Siri Siri Crazy
Death[edit]
Crazy Mohan Drama Mp4 Free
Mohan complained of stomach pain and breathlessness in the morning of 10 June 2019. After he suffered a heart attack, Mohan was rushed to Kauvery Hospital by Maadhu Balaji. A team of doctors worked on Mohan for hours to revive him. All efforts to revive him failed, and Mohan was declared dead at around 2:00 PM IST the same day.[4]
References[edit]
- ^ abcdefg'Comedy cocktails his forte'. The Hindu.
- ^Pushpa Narayan (10 June 2019). 'Crazy Mohan, playwright and comedian, dies'. The Times of India. Archived from the original on 10 June 2019. Retrieved 10 June 2019.
- ^''Crazy' Mohan back with his classic plays'. The Hindu. 29 August 2006. Archived from the original on 15 May 2014. Retrieved 5 May 2010.
- ^ ab'Veteran Tamil playwright and actor 'Crazy' Mohan dies at 67'. The Hindu. 10 June 2019. Archived from the original on 21 December 2019. Retrieved 10 June 2019.
- ^Vidya Raja (31 July 2018). 'India's Oldest Engineering College Turns 225: 6 Alumni Who Have Made Guindy Proud!'. The Better India. Archived from the original on 23 March 2019. Retrieved 8 May 2019.
- ^'I hate being serious... or upset: Crazy Mohan'. Times of India. Archived from the original on 12 August 2015. Retrieved 26 August 2015.
- ^'On the name 'Kathadi''. The Hindu. Archived from the original on 16 October 2014. Retrieved 16 October 2014.
- ^'The Times Group'. epaperbeta.timesofindia.com. Archived from the original on 12 January 2016. Retrieved 26 August 2015.
- ^'Archived copy'. Archived from the original on 11 June 2019. Retrieved 11 June 2019.CS1 maint: archived copy as title (link)
- ^ abcdef'rediff.com: Movies: An interview with comedian Crazy Mohan'. Archived from the original on 21 October 2017. Retrieved 16 October 2014.
- ^ abc'Crazy humour and much more'. The Hindu.
- ^'Angry, Crazy, Gemini and Cho'. The Times of India. Archived from the original on 3 December 2016. Retrieved 16 October 2014.
- ^Raman, Sruthi Ganapathy. 'What gets Tamil audiences rolling in the aisles? Crazy Mohan knows'. Scroll.in. Archived from the original on 2 March 2019. Retrieved 3 January 2019.
- ^'Feast of comedy plays from Crazy's stable'. The Hindu.
- ^ ab''Crazy' Mohan to produce kids-oriented play'. The Hindu. Archived from the original on 4 November 2013. Retrieved 16 October 2014.
- ^'rediff.com: Kamal Haasan does a Munnabhai!'. Archived from the original on 4 March 2016. Retrieved 16 October 2014.
- ^'Crazy robot'. The Hindu. Archived from the original on 16 October 2014.
- ^'Comic interlude'. The Hindu. Archived from the original on 7 November 2004. Retrieved 16 October 2014.
- ^'Crazy Mohan conferred with professional excellence award by the Governor of Maryland'. Behindwoods. 1 November 2016. Archived from the original on 4 December 2016. Retrieved 7 December 2017.
- ^ abc'Of 'Crazy' Mohan, Madras and Mylapore'. The Hindu. Archived from the original on 11 October 2020. Retrieved 16 October 2014.
- ^ abcd'Tamil Nadu / Chennai News : Crazy Mohan's plays in CD format'. The Hindu. Archived from the original on 16 October 2014.
- ^'In The Capital Today'. The Hindu. 25 April 2004. Archived from the original on 10 June 2019. Retrieved 10 June 2019.
- ^'Crazy time'. The Hindu. Archived from the original on 11 October 2020. Retrieved 16 October 2014.
- ^'The Hindu : Friday Review Chennai : How humour meets magic'. Archived from the original on 4 February 2010.
- ^'Humour on demand'. The Hindu. Archived from the original on 11 October 2020. Retrieved 16 October 2014.
- ^'Funny one-liners of marriage woes'. The New Indian Express. Archived from the original on 4 March 2016. Retrieved 16 October 2014.
- ^'Crazy Mohan's latest play is a big hit with children'. The Hindu. Archived from the original on 11 October 2020. Retrieved 14 November 2015.
External links[edit]
- Crazy Mohan at IMDb
Let us begin with expanding the abbreviations. I have given the terms based on pattern already existing in the world of Netizen’s preferences.
IDrama – Indian Drama | Drama from Indian Subcontinent which include North, South, East, and West (We are like the Maggie Hot & Sweet Tomato Sauce, “It’s Different!”)
KDrama – Korean Drama | Korean Drama and K-Pop Series
CDrama – Chinese Drama | Drama from Mainland, Shanghai, Hong Kong
TDrama – Thai Drama | Drama from Thailand, Taiwan, other countries in South Asia
JDrama – Japanese Drama | Drama originating from Japan and their cultural milieu.
IDrama (Indian Drama) – Drama series or serials as we call it, which runs up to multiple years playing out same themes of festivals related to Karva Chauth, Diwali, Bhai Dogh, Rakhi, Holi, et al. Interestingly, the West, East and South India would do their drama’s differently. Though the North Hindi series is pan-India. But the emotions are the same throughout India. I do not have complete knowledge of the East and West shows. But then, North and South I do know some information since I have seen them. My East and West India are more based on Movies seen in Doordarshan on Sundays.
In South, from where I come, the Metro City Chennai situated in Tamilnadu, of course we belong to India. Our dramas have evolved from stage plays. I am not such a great fan of the Tamil Serials but I do not mind absent-minded watching it with my parents. The central theme was always same re-runs of Mil-Dil fights, (Mothers-in-law and Daughters-in-law).
But then Sachin’s “Tu Tu Main Main” sitcom twisted the same theme into humour, but the Tamil version of the same sitcom barely made it but the main leads were great with their comic time in the show “Chinna Pappa, Periya Pappa.” I prefer to see comedy shows in Tamil, we have nailed it, especially Crazy Mohan’s scripts are hilarious to watch.
That way I loved all the projects of Crazy Mohan and Kamal Hassan. These were movies and there was slight competition between actors to out-do-each-other in comic timing. A good comedy is one which uses the language nuances with finesse. Crazy Mohan actor-cum-writer sometimes wore all hats in the field of verbal comedy. Especially, in presenting the Brahmin Community was done to perfection. I think if you did not know how to laugh at yourself, then you have not learnt the art of living.
I have been watching quality comedy shows since my childhood so the present-day comedy seems to be lacking in the classic finesse found in the earlier dramas. I am not interested in serious family dramas, so I give it a wide berth. There have been many a drama in the list of comedy dramas that I enjoyed with my family and was above board.
Picky About the Shows That I Watched
My entertainment is selected after a lot of thought since I am sharing my personal time on it. Screen time for me is measured and I loved it when I can see a show with all my family members including the youngest member. That kind of show is hard to come by since it must cover the audience range which is wide. But then, SaReGaMa’s Musical show with music Gurus judging the candidates hosted by Sonu Nigam was incredibly famous. The earliest musical show was done without much fanfare and relied on the talents of candidates and it was a definite all-ages show.
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I am a person who is from the era when Doordarshan used to telecast only between 5:30 pm to 9:30 pm. They used to have a logo montage which many old timers remember with fond memory. That is one thing I really love about India. Its diversity is heart wrenching and sweetly emotional. You cross five miles in India! You will find another culture and community, yet, in all this variation we are same in spirits.
Like all families, we have our own skirmish about water-sharing, official language, constituency issues, and we fight for all things, small and big in and out of parliament. This is our internal politics, but then, get an outsider in, then all our differences just disappear, and we get together with caution! (we still must think of our internal strife right! 😉)
KDrama (Korean Drama) – I was first introduced to Korean drama quiet by chance when in a googling spree for fantasy stories, or it was while browsing for movies on my sister’s Netflix at her home to pick a movie to watch while I waited for my sister’s family to return. But I do remember the first Korean Drama that I saw in Youtube was “You’re Beautiful.”
From then on, I was searching for a proper channel where I can see dramas and found DramaFever. Yoohoo! I was in cloud nine! My part-time viewership of KDrama was set. Since my net connection was shared, I had to ration my watchlist of the drama, to not be a burden on my kind-hearted Apartment Manager. In a semester, I saw about three dramas at the most which includes the weekend watch in Netflix at my sisters.
During my Summer ESL, I was staying at the Students accommodation and they had free wifi which I used for searching for the drama after my 6 pm home rule of being in the hostel before light out for my invisible mother. I found it in YouTube and would get a warm sweater and hunch on the table where my laptop was docked. After I got a more permanent apartment in Mission, I then discovered DramaFever from there on all my craving for fantasy, crime, family, romance and what not dramas were handed to me in a platter. Happy and Joyous!!!!
Back in Chennai 2012 December, Missing DramaFever
When I came back after my Graduation with a welcome relief to be in warmer climes, I found that regular intervals of drama breaks. DramaFever was not available for India. For a long time, I had no access to these dramas since I do not do Torrent downloads. Practically, my laptop does not have that kind of space and I was unaware of the technical tricks and tips.
So, around July 2020, I discovered Rakuten Viki streaming website which showcased shows from Korea, Mainland China, Thailand, Taiwan, and Japan. I jumped in and got a subscription to watch the dramas from KDrama. In this platform I got to explore various dramas in different genres.
This then lead to checking out YouTube channels for new releases and crosschecking with Viki if they had the series. The interesting thing about these dramas are that it was maximum 50 or 60 Episodes. Or rather that I picked shows which were that limit. If it is good with interesting synopsis then, I do not mind the episode numbers. But of course, sometimes, I pick shows based on actors or genre. Sometimes it is free style and mood based. If I pick a fancy to check out drama, I would go ahead with it.
I was also actively looking at people who handled YouTube channels showing dramas with English Subtitles. I enjoyed watching these drama even though the translation was a little off-beat. There is a marked difference in the various languages and its cultural aspects. But I loved watching them all.
CDrama (Chinese Drama) – I never ventured into Chinese stories until I was a Yo Yo English Channel’s subscriber. I found this in 2020 during the pandemic lockdown when I was ready for some dramas. By then I had gobbled up so many Kindle books.
I am always interested in people. As much as I love to talk and to hang out with people, I am equally shy to approach strange people. Given despite my shyness if I do reach out, I am super-sensitive person too. Once bitten twice shy kind of person. So, I am extremely cautious about people I befriend. No wonder books and dramas are easier companions.
My True Love of Life
I love stories, and I also love to write but to do that I need to first read, watch, or experience things in real life. Since I believe in writing experiences that I had experienced in surrogacy. That in turn would fuel my spaces of thinking mind which will give rise to new understanding of old things or totally new understanding. These dramas allow me to explore my sensitivity and human understanding of emotions.
I love languages too. I love to learn them just small phrases, saying thank you, sorry and exclamations. I am in no rush to learn the language. I only look for longer exposure to the language. So, my endless bingeing on K-C-T-J Dramas comes from this passion for languages and culture.
There are subtle pointers to idiosyncrasies of each cultures. I want to observe that and imbibe within me an understanding of the people. Most of my understanding of relationship have been built looking at these dramas. Sometimes the dramas are so moving that hot tears have trickled down the cold cheeks and warmed my heart.
TDrama (Thai Drama) – This happened during lockdown mainly due to MyDramaList.com. I accidently fell upon this website and found listing of dramas. From there I had to find a channel that would show these dramas. I explored the theme of revenge and contract marriage. Do not ask me why the topic choice?!! I wanted to see those kinds of dramas, entirely my quirk!
While crosscheck with MyDramaList I found most of the listed Thai dramas were available in Viki. I set on a huge search for more Thai dramas. At last about a couple of months back I found Asiaflix app is Play Store and after some initial difficulties, now the app is settled and improving.
My first Thai drama was “Fated to Love You,” I saw this in DramaFever back in 2011 Summer break at my sister’s house in my laptop. Later I picked it up here and saw it was repackaged as “You Are My Destiny” which I saw in all three language Thai, Japanese, Korean. Japanese version stops abruptly without a closure. I like the Thai version (the repackaged one). But it was great to see local comedy scenes. I always feel that the best way to enjoy language to watch for comedy skits.
Thai people have an extremely complicated way of bowing down which almost reflects our South Indian bowing style. The same is true for Korean and Chinese and Japanese signs of being respectful. We are related to each other’s with our way of kowtowing.
But I feel that Thai have not conquered their musical score for their dramas. It could be quiet jarring to hear the scores in an intense scene. The comedy is slightly crude but then I am still a beginner with these dramas. I need to watch it with much openness of mind. But Thai Drama can be little too much though their chase scenes are done with great finesse. Almost international standards for drama.
JDrama (Japanese Drama) – I am still exploring dramas beyond KDramas. I have seen about three or four Japanese Drama and all were emotionally intense. My first show was “Coffee & Vanilla.” I was squirming when I was watching this drama, but then, it was my set for romance and beyond. It did not feel ugly but more like hit the nail of right touch of art and literature in theatrical representation. The actors both were fantastic. It was like watching an art movie.
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I feel that JDramas have the lighting all done to perfection. The picturizing of the drama was done to perfection even beats KDrama which pitches into darkness sometimes. But even darkness is lighted softly in the Japanese dramas. The cinematography has all the markings of being excellent and 10 starred. But the storylines are extremely focused and single-minded angle toward a specific objective. While the dramas of my past were broader and more over culturally, I am used to sweep strokes of the creative brush. I am not that super focused unlike the dramas from Japan.
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But that is the specialty of watching the different dramas from different country. How each treat the same human emotion and feeling are the special thing to watch and to enjoy. I still have a lot to learn and my exposure to life in general is really limited and given the current situation even more so. Beyond the limitation lies the expansion of borderless existence which is waiting for me to explore. I have my knapsack and walking stick all set to begin walking in another person’s shoes to know the pinch.
PS: First off, I am sorry this piece was a ramble and there is no rhyme or rule in my entry this time. Plain joy of language and the cultures that I explored. I was all over the place with this piece but the aim was to open up thinking mind.
Image Source: Pexels.com