Are you looking for Harmonium 10 Thaats Lessons for Beginners? That’s great! You are at the right platform because I am going to provide the complete guide! Threats are the technical and necessary part of Indian music. Stay with me for detailed information!
Before diving into the details of the lessons, we should know the history and necessary of harmonium and Thaats. For your information, there is a total of 10 Thaats in Indian music, but only 10 Thaats are common and practiced usually. So, we will discuss these 10 thaats in details here!
As you know, there are a total of 10 Thaats, but 10 are practiced only in this era. There is a different name for every Thaast for the identification of these Thaats. If you are beginner, then you should learn and remember the names of these Thaats in the first stage. So, the names of these Thaats are mentioned below:
Nowadays, these ten thaats are famous, and people know about these thaats. That’s why everyone wants to learn them in the start. Before reading the guide, you have to know that this guide is only for beginners instead of experts.
Bilawal Thaat Lesson for Beginners
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It is the basic thaat or mode of Indian music. If you compare it with western music, then you can match it with the Western Music C major scale. Moreover, it is the basic thaat to learn other ones in the list of top ten thaats.
Bilawal Thaat is the basic thaat of ten thaat. Bilawal Thaat is also called natural scale because all Shuddh notes are using. If the Raag have all Shuddh Swaras then Raag will be from bilawal thaat. The parent Raag of Bilawal Thaat is Alhaiya Bilawal.
Ragas in Bilawal Thaat
Shukla | Devgiri | Deskar | Haunsdhwani | Pahadi | Kukubh Bilawal |
Maand | Bilawal | Alhaiya Bilawal | Bihag | Durga | Shankara |
Thaat Bilawal Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Bilawal | S R G m P D N S’ | S’ N D P m G R S | All Shuddh or Natural Notes |
Khamaj Thaat Lesson for Beginners
Another Thaat is famous for classical music. There are many classical singers from India and Pakistan started their careers with this thaat and became famous.
In Thaat Khamaj all the Swaras notes are in their position except Ni.
Ragas in Khamaj Thaat
Kalavati | Khambavati | Gara | Tilak Kamod | Tilang | Jaijaiwanti |
Khamaj | Regeshree | Sorat | Desh or Des | Mishra Khamaj | Jhinjhoti |
Thaat Khamaj Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Khamaj | S R G m P D n S’ | S’ n D P m G R S | Ni Komal |
Kafi Thaat Lesson for Beginners
Do you know it? Kafi is one of the oldest raags. If you have listened to early music of 1970s or 1980s, then you should see the thaat and beauty of this thaat.
Kafi Thaat is similar to Thaat Khamaj but it is one step ahead a just like a khamaj it does contain Komal Ni but also contain Komal Ga.
Ragas in Kafi Thaat
Bageshree | Dhani | Bahar | Bhimpalasi | Pilu | Megh Malhar |
Kafi | Piloo | Shahana | Surdasi Malhar | Patdeep | Chandrakauns |
Thaat Kafi Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Kafi | S R g m P D n S’ | S’ n D P m g R S | Ga, Ni Komal |
Asavari Thaat Lesson for Beginners
Another basic thaat lies in top ten thaats of the harmonium. If you are beginner and don’t know about this thaat, then you are not on the right path.
In Thaat Kafi You Replace the D Shuddh with Komal d you will get the Thaat Asavari.
Ragas in Asavari Thaat
Asavari | Jaunpuri | Desi | Dev Gandhar | Adana | Darbari Kanhada |
Kaunsi Kanhada | Meera Malhar | Sameri | Darbari | Jaunpuri |
Thaat Asavari Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Asavari | S R g m P d n S’ | S’ n d P m G R S | Ga Dha Ni Komal |
Bhairavi Thaat Lesson for Beginners
It is one of the best thaats if you love classic music. In western form, this thaat is played in the churches on special events. Moreover, the people sing it in India at the place of worship.
Thaat Bhairavi contain Re Ga Dha Ni Komal.
Ragas in Bhairavi Thaat
Bhupal Todi | Bhairavi | Malkauns | Bilaskhani Todi | Komal Rishabh Asavari | Kaunsi Kanada | Sindh Bhairavi |
Thaat Bhairavi Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Bhairavi | S r g m P d n S’ | S’ n d P m g r S | Re Ga Dha Ni Komal |
Bhairav Thaat Lesson for Beginners
There are many combinations of notes in this thaat. It means that you can try it in many terms to polish your expertise in this thaat.
Thaat Bhairav Has Re Komal and Dha Komal in it.
Ragas in Bhairav Thaat
Beehad Bhairav | Nat Bhairav | Bairagi Bhairav | Anand Bhairav | Alam Bhairav | Ahir Bhairav |
Bhairav | Jogiya | Meghranjani | Gunkari | Ramkali | Shivmat Bhairav |
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Thaat Bhairav Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Bhairav | S r G m P d N S’ | S’ N d p m G r S | Re, Dha Komal |
Kalyan Thaat Lesson for Beginners
It is another basic thaat from top ten thaats of Indian music. The meaning of this thaat is in English “Good Luck.” So, singers prefer to sing with this thaat on marriage ceremonies and birthday parties to create the Good Luck Environment.
The formula of Kalyan Thaat is similar to Bilawal Thaat but the Shuddh Ma is replace with Tiver Ma.
Ragas in Kalyan Thaat
Yaman | Bhupali | Kedar | Hindol | Kamod | Shuddha Kalyan |
Shyam Kalyan | Khem Kalyan | Anandi Kalyan | Savani Kalyan | Yaman | Yaman Kalyan |
Thaat Kalyan Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Kalyan | S R G M P D N S’ | S’ N D M P G R S | No Komal, Only Tiver M |
Todi Thaat Lesson for Beginners
It is known as the decent, loving thaat. It is played on the honeymoons. You have to learn it for happiness in love.
In Thaat Marwa the Swars Re Ga Dha are Komal and Ma is Tiver and the rest of notes are Shuddh used.
Ragas in Todi Thaat
Miyan Ki Todi | Gujari Todi | Madhuvanti | Multani | Todi | Saheli Todi |
Gauri Todi | Anjani Todi | Darbari Todi | Laxmi Todi | Lilavati |
Thaat Todi Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Todi | S r g M P d N S’ | S’ N d P M g r S | Re, Ga, Dha Komal, Ma Tiver |
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Marwa Thaat Lesson for Beginners
If you want to sing a surprise song to wonderful people, then this is the best thaat. From the basics, Marwa is known as the surprise thaat.
In case you add Komal Ri to the Kalyan Thaat you will obtained Marva Thaat.
Ragas in Marwa Thaat
Marwa | Sohni | Puriya | Bhatiyar | Todi | Vibhas |
Jait | Ratnadeep |
Thaat Marwa Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Marwa | S r G M P D N S’ | S’ N D P M G r S | Re Komal, Ma Tiver |
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Poorvi Thaat Lesson for Beginners
It is known as the night thaat because there are notes in this thaat that indicate the beauty of nights. Usually, people love to listen to this thaat in night to make their night beautiful.
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If you add Komal Dha to Marwa Thaat then its convert to Poorvi Thaat.
Ragas in Poorvi Thaat
Lalit | Puriya Dhanashree | Gauri | Shree | Paraj | Basant |
Deepak | Jaitshree |
Thaat Poorvi Notes
Name of Thaat | Ascending Notes | Descending Notes | Note Properties |
Poorvi | S r G M d N S’ | S’ N d P M G r S | Re, Dha Komal, Ma Tiver |
I hope you have learned the essential points of Harmonium 10 Thaats Lessons for Beginners Guide. Thanks for visiting!
Namaste! My name is Sādhana, and you seem to have stumbled upon my website on Indian classical music.
Indian classical music is a very rich and beautiful tradition of music that goes back over 3,500 years. Over the millennia, it has evolved into two distinct schools - the Hindustani school, which is prevalent in North India, and the Carnatic school, which is prevalent in South India. The two are quite similar on a fundamental level, but have evolved to develop distinct styles over the centuries.
This website mainly focuses on the North Indian or Hindustani school of Indian classical music.
The idea for this website came to me because I know many people who enjoy Indian music and would love to understand it better, but most of the information available online assumes a certain basic familiarity with Indian classical music concepts to begin with.
So I decided to make an effort to explain the basic concepts from scratch, demonstrating through examples with notations (both Indian and Western) at each step. Even in simplified forms, Indian music is hard to notate because it uses a lot of ornamentation. Western staff notation, moreover, is not really suited for Indian classical music, because of the many differences between Indian and Western classical music in the way some of the most fundamental concepts are approached. But I think having a score, no matter how partial, is bound to be useful for beginners.
The sidebar (or menu icon if on a mobile device) is for easy navigation. I would recommend reading the pages in the order presented, as the concepts have been arranged to become increasingly clear as you go along, but feel free to go back and forth if you like.
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